http://www.nadegerochat.com/

An exciting new energy on the music scene, Rochat involves herself in projects that have brought her to various stages worldwide including the Tonhalle Zurich, Vienna’s Musikverein, the Carnegie Hall in New York, and the Mariinsky Theater II St. Petersburg. She has featured in recital or as soloist, performing not only great pieces of the standard cello repertoire but also pieces that are the fruit of her research on forgotten composers and music from around the world. Nadège won several first prizes in competitions and released two very different CDs, one with French music for cello and orchestra and the other one about her project “La Vida Breve” (“the short life”) with the Guitarist Rafael Aguirre, which targets Spanish and South American classical music.

Nadège Rochat, Franco-Swiss cellist born in Geneva in 1991, began learning cello at the age of 4 with her aunt Fabienne Diambrini. Later, she joined the Conservatoire of Geneva, where she was taught by Daniel Haefliger. At the age of 15, she moved to Cologne where she studied Bachelor at the HfMT with Prof. Maria Kliegel. In 2015, she graduated in the Masters programme of the Royal Academy of Music in London where she studied with Robert Cohen.
Always in search of a wider knowledge of her instrument and music in general, she participated in numerous masterclasses by musical personalities such as Anner Bijlsma, Christoph Richter, Heinrich Schiff, Wolfgang Emanuel Schmidt, Itamar Golan and Colin Carr.

Nadège performed as soloist with orchestras in venues such as the Tonhalle Zurich, Vienna’s Musikverein, the Konzerthaus Dortmund and the Victoria Hall Geneva. She was accompanied by the Staatskapelle Weimar, the Dortmund Philharmonic, the Amadeus Chamber Orchestra of Polish Radio and the NDR (Norddeutscher Rundfunk Orchestra), among others. She played recitals in the Konzerthaus Berlin, the Beethoven Haus Bonn and the Festspiele Mecklenburg- Vorpommern and her duo project with guitar “La Vida Breve” brought her to the Carnegie Hall in New York, the Gasteig Munich and Vienna’s Konzerthaus, to mention only a few of the most prestigious places.

Nadège’s awards in national and international competitions include first prizes in Swiss and German national competitions for youth (2006, 2007 and 2009), the SUISA foundation Prize for the interpretation of contemporary music (2003 and 2006), the Klassik Preis of the Westdeutscher Rundfunk (WDR) for the interpretation of Beethoven 3rd Sonata for Piano and Cello (2009), the 2. Prize of the “Kulturkreis der deutschen Wirtschaft im BDI” international competition (2013), the 1st Prize, Jury Prize and Public Prize in the ProCello competition of the HfMT in Cologne (2013) and the May Muckle Prize for Cello in the Royal Academy of Music London (2015).

Her first CD (2012), featured the first cello concerto by Edouard Lalo and the first Concerto by Darius Milhaud. She was accompanied by the Württembergische Philharmonie Reutlingen under Ola Rudner. In January 2015, she released a new album presenting her project “La Vida Breve” featuring own arrangements of Spanish and South American pieces for Cello and Guitar with the Spanish guitarist Rafael Aguirre. This CD was broadcasted in many European radios (Radio Stephansdom Vienna, Radio Classique Live (Paris), Hessischer Rundfunk, Radio Berlin Brandenburg etc.). Gramophone wrote about it: “The warmth and specificity of expression in this disc are such that nobody’s winter should be without it”.

Nadège Rochat was awarded scholarships by the Dr. Werner Carl Dörken Stiftung and the Mozartgesellschaft Dortmund. Her studies were supported by the “Studienstiftung des Deutschen Volkes”.

Through a bold 5-album series, trailblazing pianist Ivan Ilić is making premiere recordings of many of the works for solo piano works by Czech composer Antoine Reicha (1770-1836). Part of this exploration is a four-episode documentary series about Reicha and his piano music, filmed in Berlin and three German cities which irremediably shaped the composer's musical legacy: Bonn, Hamburg and Vienna.

Download, order or stream Volume 1 of the albums here: https://lnk.to/ReichaVol1ID

Through a bold 5-album series, trailblazing pianist Ivan Ilić is making premiere recordings of many of the works for solo piano works by Czech composer Antoine Reicha (1770-1836). Part of this exploration is a four-episode documentary series about Reicha and his piano music, filmed in Berlin and three German cities which irremediably shaped the composer's musical legacy: Bonn, Hamburg and Vienna.

Download, order or stream Volume 1 of the albums here: https://lnk.to/ReichaVol1ID

Through a bold 5-album series, trailblazing pianist Ivan Ilić is making premiere recordings of many of the works for solo piano works by Czech composer Antoine Reicha (1770-1836). Part of this exploration is a four-episode documentary series about Reicha and his piano music, filmed in Berlin and three German cities which irremediably shaped the composer's musical legacy: Bonn, Hamburg and Vienna.

Download, order or stream Volume 1 of the albums here: https://lnk.to/ReichaVol1ID

Through a bold 5-album series, trailblazing pianist Ivan Ilić is making premiere recordings of many of the works for solo piano works by Czech composer Antoine Reicha (1770-1836). Part of this exploration is a four-episode documentary series about Reicha and his piano music, filmed in Berlin and three German cities which irremediably shaped the composer's musical legacy: Bonn, Hamburg and Vienna.

Download, order or stream Volume 1 of the albums here: https://lnk.to/ReichaVol1ID

Ton: Manfred Schumacher
http://www.ars-produktion.de/
https://www.thehighhorse.ch/

Austrian Pianist Dorothy Khadem-Missagh about Ludwig van Beethoven
CD release - March 2020

more info:
www.dorothy-khadem-missagh.com

Festival Beethoven Frühling:
www.beethovenfruehling.at

Austrian Pianist Dorothy Khadem-Missagh about Ludwig van Beethoven

new album out now!
more info:
www.dorothy-khadem-missagh.com

Festival Beethoven Frühling:
www.beethovenfruehling.at

Austrian Pianist Dorothy Khadem-Missagh about Ludwig van Beethoven

new album out now!
more info:
www.dorothy-khadem-missagh.com

Festival Beethoven Frühling:
www.beethovenfruehling.at

Matthias Kirschnereit, der "Poet am Klavier" (Süddeutsche Zeitung), und das Konzerthausorchester Berlin unter Jan Willem de Vriend spielen Schumanns groß angelegten Werke für Klavier und Orchester: https://BC.lnk.to/kirschnereit_concertantID

Alle sind versierte und bewanderte Künstler und stellen eine Interpretation vor, die von Werkkenntnis und musikalischer Erfahrung zeugt. Dabei ist die Konzeption des Albums beachtlich: Das meisteingespielte Werk der CD-Geschichte, Schumanns Klavierkonzert, erhält als Höhepunkt, ebenso aber als Zugabe einen Platz hinter den weniger bekannten Konzertstücken op. 86, 92 und 134.

Hier mehr erfahren: https://berlin-classics-music.com/de/releases/schumann-concertant/

Klavier: Matthias Kirschnereit
Orchester: Konzerthausorchester Berlin
Dirigent: Jan Willem de Vriend
Komponist: Robert Schumann

Berlin Classics:
Website: https://berlin-classics-music.com/
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#BerlinClassics #Concertant #RobertSchumann #MatthiasKirschnereit #Piano #KonzerthausorchesterBerlin #ClassicalMusic #KlassischeMusik #Músicaclásica #クラシック音楽 #古典音乐 #musiqueclassique #शास्त्रीय संगीत

Das Schumann Quartett widmet sich seinem Namensvetter Robert Schumann: https://BC.lnk.to/intermezzoID

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Ausgangs- und Bezugspunkt ist das Streichquartett Nr. 1 in a-Moll. Schumann, der sich mit dieser Gattung immer schwertat, vollendet 1842 fast rauschartig alle seine "Quartettversuche" zu insgesamt drei Streichquartetten im Opus 41.

Mehr erfahren: https://berlin-classics-music.com/de/releases/intermezzo/


Their point of departure and focus is his String Quartet no. 1 in A minor. Robert Schumann always had difficulty with this particular genre, and in 1842 he brought his "attempts at writing quartets" to an end in a headlong burst of creativity that produced his opus 41, comprising three quartets.

Learn more: https://berlin-classics-music.com/en/releases/intermezzo-2/

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Website: https://berlin-classics-music.com/
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#BerlinClassics #Schumannquartett #RobertSchumann #Streichquartett #Stringquartet #ChamberMusic #KammerMusic #ClassicalMusic #KlassischeMusik #Músicaclásica #クラシック音楽 #古典音乐 #musiqueclassique #शास्त्रीय संगीत

Midori Seiler und das Concerto Köln begeben sich auf die Spuren des venezianischen Waisenkindes Anna Maria: https://BC.lnk.to/CK_Seiler_VeneziaDiAnnaMariaID

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Ein Album über fruchtbares Miteinander: Antonio Vivaldi und Anna Maria – Midori Seiler und das Concerto Köln – Midori Seiler und Anna Maria.

Mehr erfahren: https://berlin-classics-music.com/de/releases/vivaldi-la-venezia-di-anna-maria/


This album is the record of a fruitful collaboration: Antonio Vivaldi and Anna Maria – Midori Seiler and Concerto Köln – Midori Seiler and Anna Maria.

Learn more: https://berlin-classics-music.com/en/releases/vivaldi-la-venezia-di-anna-maria-2/

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Website: https://berlin-classics-music.com/
Facebook: http://bit.ly/berlinclassics_fb
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#BerlinClassics #MidoriSeiler #ConcertoKöln #Vivaldi #Baroque #Barock #Violin #Geige #ClassicalMusic #KlassischeMusik #Músicaclásica #クラシック音楽 #古典音乐 #musiqueclassique #शास्त्रीय संगीत

Claire Huangci widmet sich mit "Rachmaninov: The Preludes" den 24 Préludes des Komponisten: https://BC.lnk.to/huangci_rachmaninovID

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Nach ihrer hochgelobten Veröffentlichung aller Chopin-Nocturnes widmet sich die chinesisch-US-amerikanische Pianistin Claire Huangci dem nächsten Klaviergiganten am anderen Ende der Romantik: Sergei Rachmaninoff und seinen 24 Préludes!

Hier mehr erfahren: https://berlin-classics-music.com/de/releases/the-rachmaninov-preludes-2/


Following on from her highly-acclaimed release of all of Chopin’s Nocturnes, the Chinese-American pianist Claire Huangci now takes on the next pianistic giant from the other end of the Romantic spectrum: Sergey Rachmaninov and his 24 Preludes!

Learn more: https://berlin-classics-music.com/en/releases/the-rachmaninov-preludes/

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Website: https://berlin-classics-music.com/
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#ClaireHuangci #ThePreludes #BerlinClassics #Piano #SoloPiano #Rachmaninov #ClassicalMusic #KlassischeMusik #Músicaclásica #クラシック音楽 #古典音乐 #musiqueclassique #शास्त्रीय संगीत

Nikola Djoric durbricht mit seiner Einspielung die klassischen Vorurteile und zeigt, welch wunderbare Welt zwischen seinen Händen liegt.

Mussorgsky: https://BC.lnk.to/djoric_pictures_IID
Tschaikowsky: https://BC.lnk.to/djoric_picturesIIID
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Nikola Djorics Anspruch ist es, den Hörer in das Geschehen einzubinden, ihn hinein zu holen in seine Gefühlswelt und ihn doch seine ganz individuellen Gedanken und Vorstellungen zu machen. Die Bilder einer Ausstellung geben dazu reichlich Möglichkeit.

Hier mehr erfahren: https://berlin-classics-music.com/de/releases/mussorgsky-pictures-at-an-exhibition/
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Website: https://berlin-classics-music.com/
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#BerlinClassics #NikolaDjoric #PicturesAtAnExhibition #Akkordeon #Accordion #ClassicalMusic #KlassischeMusik #Músicaclásica #クラシック音楽 #古典音乐 #musiqueclassique #शास्त्रीय संगीत

J. S. Bach : Goldberg Variations
Jean Muller, piano - http://www.pianistjm.com

Directed by Martin Teschner - A NO-TE Production (http://www.no-te.com)

CD "Goldberg Variations"

J. S. Bach : Goldberg Variations BWV 988
Recording location : Conservatoire de la ville de Luxembourg
Datum : 21.-23.12.2015
Producer: Marco Battistella (http://www.produzent.tv)
Edit: Jean Muller
Piano Technician : Daniel Brech
Piano : Steinway D-573968 with PES Butterfly D SET from Instrumagic (http://www.instrumagic.com)
Photo : Kaupo Kikkas (http://www.kaupokikkas.com)
Text : Jean Muller

Facebook: http://www.facebook.com/pianistjm
Twitter: http://www.twitter.com/pianistjm

Alexander Veprik (1899-1958) Orchestral Works - Trailer by No-Te
Christoph-Mathias Mueller, conductor
BBC National Orchestra of Wales
Label Dabringhaus&Grimm

Purchase (www.jpc.de): https://kurzelinks.de/gyj1

www.christoph-mathias-mueller.com
www.no-te.com
www.mdg.de

Berlin Classics präsentiert die Welterstaufnahme eines Solo-Orgelprogramms aus der Elbphilharmonie mit Titularorganistin Iveta Apkalna, "Light & Dark": https://BC.lnk.to/light_and_darkID

Seit ihrer Eröffnung im Januar 2017 ist die Elbphilharmonie Hamburg das kulturelle Wahrzeichen der Stadt. Mit "Light & Dark" erscheint auf Berlin Classics nun die Welterstaufnahme eines Solo-Orgelprogramms aus dem Großen Saal. Das Album zeigt anhand vieler attraktiver zeitgenössischer Werke die enorme klangliche Bandbreite der Elbphilharmonie-Orgel.

Die Aufnahme "Iveta Apkalna – Light & Dark" ist eine Koproduktion mit der Elbphilharmonie Hamburg.

The Elbphilharmonie Hamburg, the city’s glittering new landmark, opened in January 2017. "Light & Dark" now available on Berlin Classics, is the world’s first recording of a solo organ recital in the Grand Hall. Featuring a range of appealing contemporary works, the album showcases the wide tonal spectrum of the Elbphilharmonie’s organ.

The recording "Iveta Apkalna – Light & Dark" is a coproduction with the Elbphilharmonie Hamburg.

BERLIN CLASSICS:
Website: https://berlin-classics-music.com
Facebook: http://bit.ly/berlinclassics_fb
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Elbphilharmonie Hamburg:
Website: https://www.elbphilharmonie.de
Facebook: https://www.facebook.com/elbphilharmonie.hamburg
Instagram: https://www.instagram.com/elbphilharmonie

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#IvetaApkalna #ElbphilharmonieHamburg #Orgel #BerlinClassics #OrgelMusik #ClassicalMusic #KlassischeMusik #Músicaclásica #クラシック音楽 #古典音乐 #musiqueclassique #शास्त्रीय संगीत

Together with the Berlin-based Deutsches Symphonie-Orchester (DSO) Mari Kodama and her husband Kent Nagano have now completed the recording of all of Beethoven's piano concertos by jumping, as it were, back in time twice: the last element of this recording series that has spanned more than 13 years was Beethoven's concerto "number nought" (WoO 4) – personally edited by Mari Kodama from the autograph score. The complete 4-CD edition will be released on the Berlin Classics label on October 11, 2019.

The original manuscript of this piano concerto is kept at the State Library in Berlin. This is not a completed score, because there is no orchestration. That said, Beethoven annotated the short score, especially in the first two movements, with indications as to which instrument was to play which part. The orchestra score which is available today was written in the early twentieth century based on those annotations. The only problem is: "Today, armed with the knowledge we now have acquired about the young Beethoven, we would perform this concerto quite differently in places," explain Mari Kodama and Kent Nagano in unison. They therefore present a very personal adaptation that emerged during rehearsal with the orchestra and at the recording sessions, and which reflects Kodama's and Nagano's individual image of Beethoven. They aim to make audible the exuberant freshness and urgent sense of awakening in the young, almost childlike Beethoven's writing shortly before his artistic powers were to burst forth, the joie de vivre and vital energy in a style that owes something to the playfulness of both Haydn and Mozart. That is Mari Kodama's intention, and she plays it in precisely such a versatile manner.

Combined with the classical canon of the piano concertos nos. 1–5, the resulting comprehensive edition is complemented by the Triple Concerto for piano, violin and cello op. 56, the Rondo WoO 6 and the Eroica Variations op. 35, offering insight into the artist's longstanding involvement with her musical companion Ludwig van Beethoven. And the recordings of his works seem to lead the listener through the composer's life. "If you play all of them, it is like accompanying Beethoven on a journey through his life," explains Mari Kodama, and Kent Nagano adds: "You acknowledge the musical genius and at the same time you recognise the development of European music, because Beethoven was undoubtedly its pioneer." He led the way in changing the structure, form and harmony of music, just as there was an equally radical shift in the world around him; after the French Revolution society and business and the incipient industrial revolution began to alter the way people lived.

"He is and remains an optimist, someone who can do no other than believe in what he wishes to communicate to us through his music," explains Kodama. She says this helps her. The fact that she herself is an optimist can partly be attributed to Beethoven. Kodama, Nagano and the DSO – one might imagine them almost as a trio where all the musicians have blind faith in each other and are therefore able to produce a degree of musical intensity that brings the young Beethoven back to life.
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Website: https://berlin-classics-music.com/
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#BerlinClassics #MariKodama #KentNagano #Beethoven #DSOBerlin #LudwigVanBeethoven #Piano #Concerto #ClassicalMusic #KlassischeMusik #Músicaclásica #クラシック音楽 #古典音乐 #musiqueclassique #शास्त्रीय संगीत